Posts Tagged ‘Ken Lewis’

The Making of Jay Z’s “Somewhere in America”

Monday, July 22nd, 2013

Haven’t posted in a while, too many exciting musical projects. In this picture I am prepping to record the Trombone solo that can be heard on the song “Somewhere in America”. The final take was done on a rare 1960s conn 20H and dialed in with the (music genius and world’s foremost pop/loop/hiphop/younameit  producer/engineer) Ken Lewis. The pBone sounded quite good. It excels in getting that “dry jazz” sound, and for the final result we wanted something more “meaty”. The 1951 Conn 20H is one of the last small (shall we say tiny) bore horns made before everyone made the final switch to the medium and large bore horns. The pBone which is made of 99% plastic has a surprisingly good sound!

Twerk, yeah, ugh-huh
Twerk, Miley, Miley, Miley
Only in America

My Beautiful Dark Twisted New York Brass

Friday, November 5th, 2010
beautifuldarktwisted

My Beautiful Dark Twisted Fantasy – All of the lights

I’ve been under a gag order not to talk about this until the the all-clear signal for the official release date. This has not been an easy task. I’m a gregarous person by nature as it is, but not being able to tell people that I recorded something for Kanye West!

Countdown sequence

Whoops –  cat’s out of the bag. But it’s OK.

Yes, the recording that Tony and I did back in May (featured in this blog post) was the brass for Kanye West’s “All of the Lights.” This track features Rihanna as well as cameos by John Legend, The-Dream, Fergie, Alicia Keys, Kid Cudi, Elton John (on piano), Ryan Leslie, Charlie Wilson, Tony Williams and La Roux singer Elly Jackson.  That’s a whole lot of WOW.

Kanye’s official video can be seen here, and it looks awesome.  However,  I think this version sounds great too.

All Of The Lights


Bringing the Brass Bling to producer Ken Lewis

Saturday, May 22nd, 2010
Ken Lewis cranks it to volume #11

Ken Lewis cranks it to volume #11

Ken Lewis of the production team The Skywalkers got in touch with yours truly for help in making his MIDIs sound “real”.

With at least 50 #1 hits under his belt, Ken is great at getting the sound he is looking for, and he needed an extremely fast turnaround time and lots of options. Trumpeter Tony Gorruso accompanied me to Ken’s home studio and the three of us arranged the tracks at top speed, aiming for a deep monster brass sound.

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