Posts Tagged ‘trombone’

ConSoul will be performing live Aug 23 at Club Sunnyvale, Brooklyn

Tuesday, August 2nd, 2016

Consoul show  sunnyvale, brooklyn

We will be performing our hip-hop/funky/swing/salsa arrangements of video game music from all your favorite games with our mind blowing 14 piece band – Aug 23 in Brooklyn at club Sunnyvale 1031 Grand st. Brooklyn, NY!

This brass is up to something good!

Saturday, September 19th, 2015

The Sunshine Collective’s latest ralease “She’s up to something good” really brings out the sunshine. This is not your usual kid’s song is either a grown-up-song kids like, or a kids song that has grown up. Its superhero-y vibe is great and the arrangement using live brass and strings brings out the retro vibe in the song. Highly recommended! You can also see shots from our studio in the song!

ZEDD ft. Selena Gomez “I Want You To Know” Star Wars Remix

Sunday, May 17th, 2015

lightsabre_trumpet

In a previous blog post we announced a new remix of “I want you to know”.

After a few suggestions we decided to attempt to combine the Star Wars Imperial March (A.K.A. The Darth Vader March) into the remix and came up with a completely mad new rendition of the whole thing. If you enjoy brass, Selina Gomez, Star Wars, and wacky videos – this one is for you!

New ZEDD ft Selena Gomez “I Want You To Know” remix

Thursday, May 7th, 2015

SelenaZedd

We created a really really cool new remix of Selena Gomez’s “I Want You To Know” (did I say really really Cool)
with a live brass band replacing the electronic backing.
Its six trombones, two bass trombones, eight trumpets, four cornets, four euphoniums, three tubas, two bass trumpets, four french horns, live snares, bass drums and cymbals.
I know there are other remixes out there, but I hope this one stands out, as I tried to give it a completely fresh angle. I think Selena’s voice meshes with the brass so nicely. Maybe we can do an original take of a new song one day!

LISTEN TO IT HERE

ENJOY!

The Making of Jay Z’s “Somewhere in America”

Monday, July 22nd, 2013

Haven’t posted in a while, too many exciting musical projects. In this picture I am prepping to record the Trombone solo that can be heard on the song “Somewhere in America”. The final take was done on a rare 1960s conn 20H and dialed in with the (music genius and world’s foremost pop/loop/hiphop/younameit  producer/engineer) Ken Lewis. The pBone sounded quite good. It excels in getting that “dry jazz” sound, and for the final result we wanted something more “meaty”. The 1951 Conn 20H is one of the last small (shall we say tiny) bore horns made before everyone made the final switch to the medium and large bore horns. The pBone which is made of 99% plastic has a surprisingly good sound!

Twerk, yeah, ugh-huh
Twerk, Miley, Miley, Miley
Only in America

Skyping-in on the recording session. With a spot of tea.

Friday, September 28th, 2012

Erin took this really snazzy (lets bring that word back) picture of Ron Bertolet blowing his selmer sax while Paul Bennet is sipping. Paul was the bassist of the 1970s English band MAZARIBA which disbanded in the late ’70s and has recently reunited and are working on releasing their reunion album. Although these days Paul lives on Long Island, NY, I hear drinking tea on whilst listening with studio headphones on Skype is a British passtime. Incidentally the saxophone is a rare “Low E” model alto which has a deeper tone due to it’s extra length. Most saxophones have two low note keys, this one has three.

www.ronbertolet.com/

Dubby, jazzy, housey, techy, indie, blues & funky … 2011 was all this and more

Friday, January 13th, 2012

There are so many occasions to show gratitude. And yet, there are millions of times when I do not express it enough. Thank you! Thank you all for a great year!

Thanks for a great 2011 everybody!

2011 Rocked!

Thanks again to Jim Allchin Ron Abel Michael Amante Ruslan Agababayev Yitzy Bald Andreas Bärtels Amir Ben-Haim Johnny Berman Brenda Balasz-Beylek Amir Benhaim Dori Ben Ze’ev Ron Bertolet Yerachmiel Bigun Justin “Just Blaze” Smith Tal B.R. Yanki Briskman Yochi Briskman Suri Brody Walter & Blue tha Engineer at Brown Sugar Studios Jean Carter Teddy Charles Shlomi Cohen Shloime Saul Stern Dachs Dad Barry Dallman Nydia Davila Def Jam Phil DeGorter Don Downs David Eastman Yoni Eliav Nir Erez Marissa Famiglietti Mike Ficco & the Long Island Jazz Orchestra Freilach Orchestra Ian Freitor Avremi G. Jacob Garchik Linda Garrity Charlie Gordon Mark A. Gatz Brian Gelfand Gal Gershovsky Moshe Ginsberg Tony Gorruso Zino Groenewegen Cliff Haywood Mendy Hershkowitz Zuben Mehta & the Israel Philharmonic Orchestra Brian J. of the Pimps of Joytime Laura Jeanne Joseph Kaminski Kris Kasanova Terry Keevil Karen Kelly Charles Kiger Ron Ben-Haim Ray Kilday Israel Lamm Eli Laufer Moshe Laufer Gideon Levine Gabriella Lewis Ken Lewis Lex à Her Majesty’s Sound Kjetil Linnes Shahar Livne Steve Lynch The Maccabeats Maybach Music Bonnie McAlvin Stone McEwan Jeremy Miloszewicz Marco Meister Miami Boys Choir Mom Tony Eli Lishinsky Tony Montalbo Gershy Moskowitz Danielle Morandini Bizu Riki Mullu Avi Newmark Shai Nissenboim OdessMama Marco Panascia Yehoshua Pasternak Yehuda Piamente Michael Pruzansky Kenny Rampton Leib Reigler Mathias Roska Mona Rosenblum Rick Ross Dalit Segal Yosef Chaim Shwekey Lipa Schmeltzer Naftali Schnitzler Jerry Sokolov Soulfarm StadiumRed Studios Stewart Taylor Yosi Teaberg Dave Trigg Vignir Vigfusson Murry R.Kahn and the West Islip Symphony Wily Bo Walker Kanye West and Avrum Zamist!

From all of us here at New York Brass!

 

Danny & Dalit February 2011Bathysphere tuesdayMarch 13, 2011 | The West Islip Symphony Orchestra paid homage to St. Patrick's DayTony Gorruso and his Foot LuteTemptationDIY - see-thru drums!Rick Ross, Self Made | Best horns in the city! @NewYorkBrassFour key metrics to a working orchestraProducer Mathias Roska & Co. at The Village UndergroundWith soprano Marissa FamigliettiProducer Justin "Just Blaze" Smith8 Channel Pye T.V.T. Recording/Summing ConsoleGot Sousaphone?An awesome wind is winded with New York BrassRecording Gabriella Lewis at homeWhich way to Sherwood Forest?TromboniumCover to a new singleUnits of FlamBison BurgersThanks Barry!"Hi Erin"Gal GershovskyArranger & Conductor Yoeli DikmanRehearsing with trumpeters (L to R) Joseph Kaminski, Tony Gorruso, Jerry Sokolov & Shlomi Cohen on Sax.Bizu Riki MulluReggie WattsSean FlanneryWorld Trade Center 1Harps!What happens when the percussion section isn't lookingDaniele Morandini - metal headSit. Stay.Bad to the Bone in the ITA!Happy FDT!Turning a 27 MHz or 49 MHz RC Car into a arduino controlled robotTa da!!With NolanMy niece5 Bar licks with Ron Bertolet and Dave TriggNew York Brass doing the final mixdown with Brian J.HAPPY NEW YEAR 2012!

 

A Weird Ballad

Thursday, January 12th, 2012

When I was a wee 5th grade human puppy, my then trombone teacher Shemi Peri invited all of the students to a master class with a dude that had the biggest trombone I had ever seen; It was a bass trombone. Up to that point in my training I had never seen anything so gigantically brass. The dude’s name was Eliezer (Eli) Aharoni and he was there to show the class the latest techniques in breathing and playing trombone. Aharoni had also written some trombone books which impressed all of us. This particular afternoon meeting and listening to Eli Aharoni was the first push towards trombone playing

Eli was the driving force behind the Israeli Trombone Association. Around 1983 he brought the then-presiding president of the International Trombone Association Dr. Erving L. Wagner to give us a master class at the Jerusalem Music Center. The day was the holiday of Purim which is sort of a Jewish Mardi-gras and my hair was colored blue. (I always wonder if Prof Wagner remembers a little boy with blue hair… ). The master class was the first place I ever heard professional trombone playing on the highest level live. What a glorious sound. I knew trombone was the way to go for me.

People were playing duets and asking questions and Professor Wagner was giving advice. Suddenly there was a sudden hush. Someone next to me whispered “Micha is going to play something”, I had no clue who he was talking about. A young 24-year-old giant muscular guy walked in carrying a colossal bass trombone, although in his hands the trombone looked small. Then he played. The sound that came out was the deepest fullest sound I ever heard sort of like a trobonephonium. And I can say that to this day – all over the world – I never heard such a sound. His name was Micha Davis, and in my opinion stands in the front row of bass trombone players in the universe.

The bassest bone

Over the years I have played with Micha many times, and we pulled practical jokes and had lots of laughs. But putting aside the jokes and laughs, Micha inspired my playing and keeps on inspiring many others to this day. Eli and Micha’s influence shines on hundreds of talented trombone players and musicians who play in the best orchestras, bands and other music venues worldwide. I have been blessed by the opportunity to play with true giants. I have played and listened to countless trombone players since, some of the finest Orchestras in the world pass through New York, but the control and sound Micha produces is unique. When he plays Grofé’s Grand Canyon Suite the storm section gets a new dimension, the bass trombone gives an 18″ sub-woofer a run for it’s money.

In the video Micha Davis is playing Etude #24 from from Eli Aharoni’s (2009) book “The Non-Classic Bass Trombone” titled “A Weird Balad”. Most players feel like they need an oxygen scuba tank or a pressurized diving bell to get through this fun exercise. Micha plays it with his usual nonchalant demeanor.

Time is a sort of river of passing events: Interlochen 1986 ♪♫

Sunday, January 1st, 2012

New Year’s a time to contemplate the past, But this one meant more to me than an average passing event. I came to the United States in 1986 as a fledgling brass-man. I had a summer scholarship to Interlochen Arts Academy in Traverse City Michigan.
You’ve heard it a million times already, but it really does take just a short time to make that all-important first impression. As you can probably tell by this group photo, I was completely in awe. There were hundreds of young people whose brains were wired the same as mine – who liked to do what I liked to do.  Before I came to Interlochen, the enterprise of making music had all the legitimacy of video-gaming or professional poker. 
Time is a sort of river of passing events: Interlochen 1986 ♪♫

By week three, composition and performance had become a tangible and authentic endeavor. I played every day at Interlochen as I had been doing since kindergarten, but here I wasn’t the guy with the trombone; I was a musician. There’s a big difference.  I don’t believe I would have had this experience at a place like Interlochen in a country other than the United States. There’s something weird and fantastic that happens to the brain just being here. Americans use the word “can” more than “can’t” and rarely do you hear Americans ask one another “why?” in a challenging manner. The attitude here is “Why not?”  It took a while, but we finally made the US our permanent home in 2005.

Young trombonist in the hubbub

Here comes trouble!

After Erin dug up this picture and scanned – I remembered that my cabin mate Murry Dweck (Then trumpet player and Now obgyn) sent me a picture he took a few moments before the big picture above was taken. He made sure to circle my face with a pen just in case I miss it. I dug up that picture up too and here it is… Erin went to the same summer camp, and our paths parted for many many years… Although I am a mere spec in the dark area in the middle right, Erin is visible in the crowd – fourth from the left. Sometimes being late lands you a better spot in the picture.

P.S. I also dug up a picture of my cabin mates. I managed to stay in touch with a few over the years. Murry Dweck who sent me the picture is the guy in the blue sweatshirt trying to cover my face.

Cabin Mates - 1986 Interlochen, MI

My aimlessly ambitious cabin mates went on to do great things. Nana on my left is a plastic surgeon specializing in breast augmentation, liposuction, and tummy tuck. Murray who is flashing the full-palm gang sign to my right is a (drum roll) Gynecologist. Topher peeking from the back middle is a MD at Stanford

Bad to the Bone in the ITA!

Wednesday, August 24th, 2011

Grateful thanks to Diane Drexler and Taylor Hughey at the International Trombone Association Journal for allowing this group of goofballs to grace their pages!

In back from left to right artist & instrument: Shai Nissenboim – Bass Trombone, Nir Erez – Tenor Trombone, Maestro Zubin Mehta – Stick, Yehoshua Pasternak – Tenor Trombone, Shahar Livne – Contrabass Trombone in F, Daniele Morandini – Bass Trumpet Flugelbone, Tal B.R. – Bass Trombone Front: Danny Flam – Alto Trombone, Micha Davis – Bass Trombone.

www.ita-web.org/

A Brass Section Of A Lifetime

Sunday, June 6th, 2010
Thursday night (June 6, 2010) was the “Lineup of A Lifetime” concert – a tribute to 30 years of composing and arranging by Moshe Laufer. To those of you who aren’t familiar with Jewish music, Moshe Laufer is one of the three people (together with Mona Rosenblum and Israel Lamm) who shaped Jewish music in the past 40 years. These days Jewish music sounds more like pop/rock rather than Klezmer, and Moshe wrote hundreds of tunes. The night was a night to remember as the biggest names in Jewish music from near and afar were on stage to honor him. Photographer Baruch Ezagui , shlager.net and thejewishinsights.com provided these snazzy pictures!
Brass Section Of a Lifetime

Brass Section Of a Lifetime

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Next year remember to bring noise cancelling headphones, sunblock and trombone

Sunday, June 6th, 2010

 

AZ308437

Amped for my first Indianapolis 500.

Sure I like the song Back Home Again in Indiana but I’d love to do a full brass rendition of Mission Impossible during the final fifty laps. Maybe next year …

Bringing the Brass Bling to producer Ken Lewis

Saturday, May 22nd, 2010
Ken Lewis cranks it to volume #11

Ken Lewis cranks it to volume #11

Ken Lewis of the production team The Skywalkers got in touch with yours truly for help in making his MIDIs sound “real”.

With at least 50 #1 hits under his belt, Ken is great at getting the sound he is looking for, and he needed an extremely fast turnaround time and lots of options. Trumpeter Tony Gorruso accompanied me to Ken’s home studio and the three of us arranged the tracks at top speed, aiming for a deep monster brass sound.

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Bread-n-Butter

Monday, April 26th, 2010

When I’m not brassing things up at NewYorkBrass.com, fixing computers or inventing new microphones, every now and then I like to do this too.

How to make a trombone!

Monday, April 19th, 2010

If you have ever wanted to MacGyver your own trombone at home out of some scrap copper, shoe laces and a box of thumb tacks, this is your opportunity. I found this Discovery Channel documentary that is specially tuned so all you DIYers out there can participate.

Easy, No?

Maestro Zubin Mehta endorses and participates in a NewYorkBrass production

Sunday, April 4th, 2010

Maestro Zubin Mehta signing newyorkbrass classikids book Zubin Mehta recently endorsed and collaborated on a really cool interactive classical music children’s book, which is in the final stages of production and QA and will be available in stores across the globe starting in July.

About a year ago we have been approached to help arrange music for an interactive classical music children’s book, by Amit Sopher of Classikids.com, who produces interactive books for children. Amit developed a very interesting electronic platform that plays 10 minutes of high quality mp3 on a surprisingly good speaker.

To kick off the project, I contacted the Israel Philharmonic Orchestra’s personnel manager – Mr. Stewart Taylor. Mr. Taylor is my teacher, mentor, and close friend, and was played principal trombone for many years.  He suggested talking to another friend – Mr. Yaacov Mishori. Mishori, now retired, served as principal horn player of the IPO, as IPO spokesman and was a member of the management. Mishori has written other books and today teaches at the Buchmann-Mehta High School and presents a weekly radio program.

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